Fall Group Show
Gallery A is exhibiting the work of eight nationally known artists in our Fall Group Show.
The show ran through December 17, 2011.
A show of Myron Helfgott's work will open on Thursday January 19, 2012. The opening reception is from 5 to 9 PM on Thursday.
JOHN ANTONE
According to John Antone, art must be in touch with our dreams. As he sees it, man’s most profound experiences in life are those which, like dreams, we understand with our hearts and minds: experiences such as love, the death of a beloved, or the birth of a child. Although not precisely religious, art becomes an outlet and release for emotion and intelligence, and touches on the importance of being human.
John Antone has studied with some of America’s most outstanding artists and art institutions. He did his undergraduate work at Virginia Commonwealth University in Richmond, Virginia, and at the Rhode Island School of Design’s National Honors Program in Rome, Italy. In 1975, Antone had the opportunity to study at California Institute of the Arts in Valencia, California, working with John Baldessari, the world renowned, conceptual artist.
John completed his MA in Sculpture at the University of Wisconsin in 1977, studying under Deborah Butterfield, and achieved his MFA from that school in 1978. This year, Antone received a Virginia Museum Foundation Professional Fellowship in sculpture, one of the most significant artistic awards given nationally.
Lee Brauer
(www.leebrauer.com)
Lee Brauer specializes in photography of people and their spaces for the Advertising, Architectural and Corporate communities. With twenty years experience Mr. Brauer creates images that grab your attention. While establishing himself in the world of commercial photography Mr. Brauer has continued to create the more personal images such as those he has on display in our group show.
In addition, Mr. Brauer is a founding member of the Central Virginia ASMP and is an
active leader in the photographic community.
AL CALDERARO
(www.alcalderaro.com)
TOM CHENOWETH
(www.astradesign.com)
Tom’s work is formal and structural. Energy and balance are primary concerns. Every piece is a conversation of material and stems from the physical experience of manipulating metal, achieving and organic grace and intuitive expressiveness while maintaining the integrity of the man-made structural materials. Tom’s work began over 30 years ago, earning a BFA and MFA in Sculpture. In the beginning, Tom’s work was about learning all the things he could do with the material and acquiring the technical expertise necessary to give form to his ideas. Later Tom began borrowing design elements from his large scale sculpture, creating practical objects for creative environments. Tom has work in many private and public collections and accepts custom requests.
Tom earned his BFA in sculpture from the Maryland Institute, College of Art and his MFA in sculpture from VCU. He was one of the original founders of 1708 Gallery in Richmond. Together with his wife Louise Ellis, a fellow artist, own Astra Design, a small retail gallery in Richmond. For more info, please visit:
AL DAVIS
Mr. Davis is Vice President of Creative Services at CRT/tanaka, a national company with tremendous experience in numerous categories and well-developed capabilities in marketing, branding, PR and social media.
While attending VCU school of design Mr. Davis was exposed, so to speak, to photography. Although he pursued a career as a designer he never stopped capturing images. The play of light and shadow could be considered a definition of creation. Focusing creative energies through a camera lens just seems natural.
MYRON HELFGOTT
Myron Helfgott received his BA and MFA degrees from Southern Illinois University and studied with R. Buckminster Fuller from 1957-59 and in 1962. From 1968 until 2003, he was a professor in the department of sculpture and extended media at Virginia Commonwealth University and served as acting chair from 2001 to 2003. He has had numerous one-man exhibitions throughout the United States and has participated in over 50 group shows.
He has exhibited at the Whitney Museum in New York City, the Philadelphia Arts Alliance, Usdan Gallery in Bennington, VT and Peninsula Arts Center in Norfolk, VA and the prestigious “un/Common Ground” show at the Virginian Museum of Fine Art, as well as Tokyo, Lima, and Glasgow. He received the Virginia Commission for the Arts Distinguished Artist award. His sculptures incorporate audio, kinetics, photography, assemblage, etc.
His work is in both public and private collections, including the Chrysler Museum of Art, the Corcoran Museum of Art, the Federal Reserve Bank of Richmond, Best Products Foundation, and the Virginia Museum of Fine Arts. Among his many residencies are the Cité Internationale des Arts in Paris from 2003 to 2007.
MARTIN JOHNSON
(www.martinbjohnson.com)
Martin Johnson was born in Elmer, New Jersey, in 1951, and moved with his family to Richmond at age five. He earned a degree in Architecture from Virginia Polytechnic Institute and State University (1974), and an MFA in Studio Art from the University of North Carolina, Chapel Hill (1977). Upon graduating from UNC, Johnson moved to New York City where he was granted one of the first studios at PS1, the landmark institute of contemporary art that is now a permanent exhibition site for MoMA. Johnson’s early career garnered critical attention, including support from curator Marcia Tucker and gallery owner Phyllis Kind. He was represented by Phyllis Kind Gallery in Chicago and New York from 1979 to 1987, during which time his work entered numerous private collections, including those of famed contemporary collectors Donald and Mera Rubell and Herbert and Dorothy Vogel.
In 1987, Johnson abandoned his thriving art career in New York and moved his young family back to Virginia. Since then, Johnson has continued to work prolifically in his studio while maintaining a full-time career as President of Virginia Marketing Associates, a successful sales agency based in Richmond.
Recently, as part of Dorothy and Herbert Vogel’s “Fifty Works for Fifty States” gift to museums and art institutions across America, Johnson’s work entered the collections of 35 museums throughout the United States, including the Virginia Museum of Fine Art and the National Gallery of Art. Johnson is currently working with curator Ray Kass on an exhibition for the Taubman Museum of Art, scheduled for 2014.
SELECTED SOLO EXHIBITIONS
1994 Forty-Four Four by Fours, Art Museum of Western Virginia, Roanoke, Virginia
1993 Site installation, Virginia Beach Center for the Arts, Virginia Beach, Virginia Faces For(bodypolitic), Glass Gallery, University of North Carolina, Chapel
Hill, North Carolina
1992 HESHEUNISALLFORONE (44 4x4’s 30 PART), Southeastern Center for Contemporary Art, Winston-Salem, North Carolina
1990 Glimpsastone, Peninsula Fine Arts Center, Newport News, Virginia
1988 Site installation, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina.
Enigmatic Constructions – (Retro) Active Art Work(s), Portsmouth Museums, Portsmouth, Virginia
1987, 1985, 1984, 1983, 1981, 1980, 1979 One-artist exhibition, Phyllis Kind Gallery, New York, New York
1981 Site installation, Florence Wilcox Gallery, Swarthmore College, Swarthmore, Pennsylvania
1978 Site installation, Appalachian Center for Contemporary Art, Charleston, West Virginia
SELECTED GROUP EXHIBITIONS
2011 Textural Structures: Selected works from the South Dakota Art Museum, South Dakota Art, Museum, Brookings, South Dakota (Catalogue)
2010 An Economy of Means: The Dorothy and Herbert Vogel Collection, The University of Michigan Museum of Art, Michigan, Ann Arbor, Michigan
Living for Art: The Dorothy and Herbert Vogel Collection Montclair Art Museum
2009 The Dorothy and Herbert Vogel Collection, Oklahoma City Museum of Art
1995 New Works Fellowships: Northern Telecom, Arlington Museum of Art, Arlington, Texas;
Cheekwood Museum of Art, Nashville, Tennessee; Nexus Contemporary Art Center, Atlanta, Georgia
1994 New Works Fellowships: Northern Telecom, City Gallery of Contemporary Art, Raleigh, North Carolina (Catalogue)
1990 Un/Common Ground: Virginia Artists 1990, Virginia Museum of Fine Arts, Richmond, Virginia (Catalogue)
The Portrait in America, The Chrysler Museum, Norfolk, Virginia
1989 Sculpture Now: 10 Virginians, Danville Museum of Fine Arts and History, Danville, Virginia
1988 Household Media, Virginia Beach Arts Center, Virginia Beach, Virginia
Site installation. Newhouse Center for Contemporary Art at Snug Harbor, Staten Island, New York
From the Collection of Dorothy and Herbert Vogel, Arnot Art Museum, Elmira, New York
Artists Sketchbooks, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina
1987 Four Sharp Artists, Chrysler Museum of Art, Norfolk, Virginia
Animals, Peninsula Fine Arts Center, Newport News, Virginia
1986 Drawings from the Collection of Herb and Dorothy Vogel, University of Arkansas Fine Arts Center Gallery, Little Rock;
Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa; Palmer Museum of Art, Pennsylvania State University, University Park (Catalogue)
1985 Insider/ Outsider, Virginia Beach Arts Center, Virginia Beach, Virginia
Erotic Art. S.P.L.A.T. Alternative Art Gallery, Norfolk, Virginia
Martin Johnson: Installation, Old Dominion University Gallery, Norfolk, Virginia
1984 Visiting Artists 1977 – 1984, Wake Forest University, Winston-Salem, North Carolina (Catalogue)
Dozen/ Half Dozen. Phyllis Kind Gallery, New York, New York
Michele Feder-Nadoff, Martin Johnson, Ireen Kubota, Phyllis Kind Gallery, Chicago, Illinois
1983 Dialect = Dialectic II, Phyllis Kind Gallery, New York
1982 P.S. . .P.S. 1, 1708 East Main Gallery, Richmond, Virginia (Catalogue)
New New York. University Fine Arts Galleries, Florida State University, Tallahassee, Florida; Coral Gables Museum, Coral Gables, Florida;
Phoenix Art Museum, Phoenix, Arizona (Catalogue)
Twentieth Anniversary of the Vogel Collection, Brainerd Art Gallery, State University at Potsdam, Potsdam, New York;
University of Northern Iowa Gallery, Cedar Falls, Iowa (Catalogue)
1981 Ikon/ Logos: Word as Image, The Alternative Museum, New York (Catalogue)
Former North Carolina Artists, Charlotte and Philip Hanes Gallery, Wake Forest University, Winston-Salem, North Carolina
1980, 1983 P. S. 1 - Queens, New York
1979 - 1980 Painters from New York Galleries, James Madison University,
Harrisonburg, Virginia; Virginia Polytechnic Institute and State
University, Blacksburg, Virginia; Roanoke College, Salem, Virginia
1979 Annual Drawing Exhibition, Weatherspoon Art Gallery, University of
North Carolina, Greensboro
The Intimate Gesture, Visual Arts Gallery, School of the Visual Arts, New York, New York
One Hundred Artists Show, Ten Windows on Eighth Avenue, New York
1977 The Magnetic Image: Invitational Video Showing, High Museum of Art, Atlanta, Georgia
1976 Exhibition 280, Huntington Galleries, Huntington, West Virginia
SELECTED BIBLIOGRAPHY
Boyd, Julia W. “Martin Johnson.” Un/Common Ground: Virginia Artists 1990. Richmond: Virginia Museum of Fine Arts, 1990, 52-61.
Barnet, Vivian. Introduction to Drawings From the Collection of Dorothy and Herb Vogel. Little Rock: University of Arkansas Gallery, 1986, 62.
Browing, Robert. Ikon/ Logos: The Word as Image. New York: The Alternative Museum, 1981, 43.
Kass, Ray. “Martin Johnson’s ‘ForInstance’.” Folk Art Messenger, Vol. 22, no.3
(Spring/ Summer 2011): 23-25.
Kuspit, Donald. “Martin Johnson’s Manic American Dream.” New Work Fellowships:
Northern Telecom. Raleigh: The City Gallery of Contemporary Art, 1994, 1-10.
“Martin Johnson.” Art Forum, Vol. 23, no. 9 (May 1985): 108
“Reviews of Exhibitions/ Martin Johnson at Phyllis Kind.” Art in America, Vol. 71, no. 8 (September 1983): 117.
McGreevy, Linda. “Art: Insider/ Outsider.” Port Folio, Vol. 3, no. 2 (May 14 – 20, 1985): 35
Robinson, John. “Reviews/ Group Shows at Phyllis Kind.” Arts, Vol. 59, no. 1 (September 1984): 33.
Schwartzman, Alex. “Martin Johnson.” Arts, Vol. 54, no. 5 (January 1980): 6.
Ward, Alex. “Recycled Space for Artists.” National Endowment for the Arts, The Cultural Post, issue 24 (August 1979): 1-3.
GRANTS AND AWARDS
1993 Northern Telecom Fellowship, City Gallery of Contemporary Art, Raleigh, North Carolina
1975 MFA Fellowship, UNC Chapel Hill, Chapel Hill, North Carolina
PUBLIC COLLECTIONS
Academy Art Museum, Easton, Maryland
Akron Art Museum, Akron, Ohio
The Arkansas Arts Center, Little Rock, Arkansas
Birmingham Museum of Art, Birmingham, Alabama
Boise Art Museum, Boise, Idaho
Cedar Rapids Museum of Art, Cedar Rapids, Iowa
Chrysler Museum, Norfolk, Virginia
Colorado Springs Fine Arts Center, Colorado Springs, Colorado
Columbia Museum of Art, Columbia, South Carolina
Delaware Art Museum, Wilmington, Delaware
Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
Huntington Museum of Art, Huntington, West Virginia
Joslyn Art Museum, Omaha, Nebraska
Las Vegas Art Museum, Las Vegas, Nevada
Miami Art Museum, Miami, Florida
Milwaukee Art Museum, Milwaukee, Wisconsin
Memphis Brooks Museum of Art, Memphis, Tennessee
Mississippi Museum of Art, Jackson, Mississippi
Montclair Art Museum, Montclair, New Jersey
Museum of Art, Rhode Island School of Design, Providence, Rhode Island
National Gallery of Art, Washington, DC
Nora Eccles Harrison Museum of Art, Utah State University, Logan, Utah
Oklahoma City Museum of Art, Oklahoma City, Oklahoma
Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania
Phoenix Art Museum, Phoenix, Arizona
Portland Museum of Art, Portland, Maine
Saint Louis Art Museum, St. Louis, Missouri
Spencer Museum of Art, University of Kansas, Lawrence, Kansas
The Speed Art Museum, Louisville, Kentucky
South Dakota Art Museum, South Dakota State University, Brookings, South Dakota
The University of Michigan Museum of Art, Ann Arbor, Michigan
University Museum, Southern Illinois University, Carbondale, Illinois
University of Wyoming Art Museum, Laramie, Wyoming
Virginia Museum of Fine Arts, Richmond, Virginia
Weisman Art Museum, University of Minnesota, Minneapolis, Minnesota
Yale University Art Gallery, New Haven, Connecticut
Yellowstone Art Museum, Billings, Montana
Richard Pettibone
(www.castelligallery.com)
We are showing Richard Pettibone’s “Andy Warhol, Cambells Soup, Minestrone, 1962”. Richard’s work is currently on display at the Leo Castelli Gallery in New York.
In the December 10, 2004 issue of the New York Times Ken Johnson wrote: “Richard Pettibone has forged a singularly interesting career by copying in miniature what other, more famous artists have done. Copying other people's art may not in itself be highly original, but Mr. Pettibone has done it with such finely tuned wit and tenderly fastidious craft that his work comes to seem extraordinarily personal.”
In the July 15, 2005 issue of the New York Times Roberta Smith wrote: “For more than 40 years, the artist Richard Pettibone has thought small in at least two ways. He has relentlessly produced exquisitely accurate pocketsize copies of modernist masterworks by artists from Duchamp and Brancusi to Lichtenstein and Warhol. In addition, he has seemed completely unperturbed by this apparent lack of originality. What has it gotten him? Certainly not the attention he deserves.
But redemption may be nigh. Mr. Pettibone's first full-dress retrospective is at the Institute of Contemporary Art here. Organized by Ian Berry, associate director of the Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, N.Y., and Michael Duncan, a critic and independent curator from Los Angeles, the exhibition is undeniably ambitious: 215 works spanning more than four decades of art-making.
The walls are dotted (literally) with tiny versions of Warhol's soup cans, Marilyns, cows and flowers, the latter sometimes multiplied into miniature wallpaper like patches.”
In Ms. Smith’s words; “Mr. Pettibone is a connoisseur and careful explorer of the chief wellspring of art-making: the simple love of art. His work makes transparent the complex mixture of discernment, admiration and competition that spurs artists to make something they can call their own.”
JIM SULLIVAN
(jimsullivanartist.com)
Born in Providence, Rhode Island, 1939
EDUCATION
1962-63 Graduate work, Stanford University, California
1961 Bachelor of Fine Arts, Rhode Island School of Design
1960-61 European Honors Program in Rome
SOLO EXHIBITIONS
2011 Nancy Hoffman Gallery, New York
2004-05 Project Space, Nancy Hoffman Gallery, New York
1990 Anne Jaffe Gallery, Bay Harbor Islands, Florida
1988 Nancy Hoffman Gallery, New York 1986 Nancy Hoffman Gallery, New York
1984 Dart Gallery, Chicago Nancy Hoffman Gallery, New York
1983 Gallerie Wolfgang Werner, Bremen, Germany
1982 Folker Skulima Gallery, Berlin, Germany
Nancy Hoffman Gallery, New York
1981 Thomas Segal Gallery, Boston
1980 Nancy Hoffman Gallery, New York
1979 Suzanne Mathews Gallery, San Antonio, Texas
Willard Gallery, New York
1974 Fischbach Gallery, New York
Henri Gallery, Washington, D.C.
1973 Webb and Parsons Gallery, Bedford Village, New York
Paley & Lowe Gallery, New York
1971 Paley & Lowe Gallery, New York
GROUP EXHIBITIONS
2006 “Circles,” Nancy Hoffman Gallery, New York
“Other Places,” Jonathan Shorr Gallery, New York
2005 “Large Tiny, Tiny Large,” Carrie Secrist Gallery, Chicago
2004 “Summertime,” Nancy Hoffman Gallery, New York
1996 "The Art of Baseball," Polk Museum of Art, Lakeland, California
1995 “Drawings and Maquettes,” Nardin Gallery, Somers, New York
1994 “Drop Dead Painting,” Igor Foundation, New York
1993 "20 Years," Nancy Hoffman Gallery, New York
1992 "The Depicted Unknown," Procter Art Center, Bard College, Annandale-
on-Hudson, New York
"A Visit to the Doctor," Foster Goldstrum Gallery, New York, New York
1991 "Black and White," Nancy Hoffman Gallery, New York
1990-91 "Winter Gold," Nancy Hoffman Gallery, New York
1990 "Art on Paper," Weatherspoon Art Gallery, University of North Carolina at Greensboro
1989-90 "Collector's Exhibition," Arkansas Arts Center, Little Rock
"Social Studies," Lintas Worldwide, New York, New York
1989 "Animal Life," One Penn Plaza, New York
"Summer Pleasures: Water," Nancy Hoffman Gallery, New York
"25th Anniversary Gala Exhibition," Ann Jaffee Gallery, Bay Harbor Islands, Florida
1988 "Classical Myth and Imagery in Contemporary Art," The Queens
Museum, Flushing, New York
"Contemporary American Drawings," Wake Forest University, Winston-
Salem, North Carolina
Cunningham Dance Foundation, Blum Helman Gallery, New York
"East Side-West Side," Helander Gallery, Palm Beach, Florida
"An Evening of Contemporary Art at the Bayly," Bayly Art Museum, University of Virginia, Charlottesville
"Faculty Exhibition," Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, New York
"Interiors," Bard College, Annandale-on-Hudson, New York
"Summer Group Show," Nancy Hoffman Gallery, New York
1987-90 "Diamonds Are Forever," New York State Museum, Albany, New York.
Traveling to Baltimore Museum of Art, Maryland; Chicago Public Library and Cultural Center, Illinois; Contemporary Arts Center, Cincinnati;
Museum of Art and History, San Juan, Puerto Rico; Museum of Fine Arts, Houston, Texas; New York Public Library; New York,
Norton Gallery, West Palm Beach, Florida; Oakland Museum, California; Utah Museum of Fine Arts, Salt Lake City.
1987 "Collector's Choice," Center for the Arts, Vero Beach, Florida
"The Dog Days of August," Littlejohn Smith Gallery, New York
"RISD in New York," Diane Brown Gallery, New York
1986-87 "Collector's Choice," Center for the Arts, Vero Beach, Florida "Works on Paper," Nancy Hoffman Gallery, New York
1986 "It's a Dog's Life," St. Paul Companies, Minnesota "Summer Group Show," Nancy Hoffman Gallery, New York
“Vessels of Meaning,” Schoharie County Arts Council Gallery, New York
1985-86 "Winter Solstice," Nancy Hoffman Gallery, New York
1985 Anderson Fine Arts Center, Anderson, Indiana
"Beyond Antiquity: Classical References in Contemporary Art," DeCordova Museum, Lincoln, Massachusetts
"Cunningham Benefit Art Sale," Castelli Gallery, New York
"Major New Works," Nancy Hoffman Gallery, New York
"The Male Animal," Downtown Gallery, Delaware Art Museum, Wilmington
"Nocturnal Images," Paine Art Center, Oshkosh, Wisconsin
"Past and Present Part II," Nancy Hoffman Gallery, New York
"Putti for Our Time," King Street Gallery, New York
"Representations from the Nancy Hoffman Gallery," Calkins Gallery, Hofstra University, Hempsted, New York
"Summer Pleasures," Nancy Hoffman Gallery, New York
1984 "Collectors Gallery XVIII," McNay Art Museum, San Antonio, Texas
"Contemporary Still-Life Painting," Florida International University, Miami
"Faculty Art Exhibit," Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, New York "
A Feast for the Eyes," The Museum of Modern Art, New York
"Flowers in Art," Moravian College, Bethlehem, Pennsylvania
"Jim Sullivan/Joe Nicastri," Galerie 99, Miami, Florida
"Rockefeller Retrospective," Wake Forest University, Winston-Salem, North Carolina
"Summer Group Show," Nancy Hoffman Gallery, New York
1983-84 "American Still-Life 1945-83," Contemporary Arts Museum, Houston, Texas.
Traveling to: Albright-Knox Art Gallery, Buffalo, New York;
Columbus Museum of Art, Ohio; Neuberger Museum, Purchase, New York; Portland Art Museum, Oregon
1983 "Art on Paper," Weatherspoon Art Gallery, University of North Carolina, Greensboro
"Artists Baseball Celebration," Smith Artworks, Cooperstown, New York
"New York, New Art,” Delaware Art Museum, Wilmington
"Dogs," Museum of Contemporary Art, Chicago
“Intoxication," Monique Knowlton Gallery, New York
Muhlenberg College, Allentown, Pennsylvania "New York Painting Today,"
Three Rivers Arts Festival, Pittsburgh, Pennsylvania
"Summer Group Show," Nancy Hoffman Gallery, New York
"Tulips," Impressions Gallery, Boston
1982-83 "Figures of Mystery," The Queens Museum, Flushing, New York
1982 "Drawing/New Directions," Summit Art Center, New Jersey
"Major New Works: Tenth Anniversary Show," Nancy Hoffman Gallery, New York
"Narrative Settings," Joseph Gallery, New York
"New Images and Pattern and Decoration," Neuman Collection, Kalamazoo, Michigan
"Works on Paper," Nancy Hoffman Gallery, New York
1981-82 "Group Show," for recipients of Fulbright Scholarships, International Institute of Education, New York
1981 "Animals in the Arsenal," Department of Cultural Affairs, New York
"Group Show," McNay Art Institute, San Antonio, Texas
"Group Show," Miami University, Oxford, Ohio
"Group Show," Thorpe Intermedia Gallery, Sparkill, New York
"Group Show," Wake Forest University, Winston-Salem, North Carolina
"Major New Works," Nancy Hoffman Gallery, New York
"New York Gallery Showcase," Oklahoma Art Center, Oklahoma City
1980 "Group Show," Webb & Parsons, New Canaan, Connecticut
1979 "Faculty Show," Bard College, Annandale-on-Hudson, New York
"Two-Man Show," Carol Solway Gallery (with David Hockney), Cincinnati, Ohio
"View from the Valley," Hartwick College, Oneonta, New York
1978 "Faculty Exhibition," Bard College, Annandale-on-Hudson, New York
"Gallery Artists," Henri Gallery, Washington, D.C.
1977 "Group Show," Penn State University, Pennsylvania
1977 "Group Show," Carl Solway Gallery, Cincinnati, Ohio
"Recent Works on Paper," Madison Art Center, Wisconsin 1976
"Contemporary American Art," Worcester Art Museum, Massachusetts
"Contemporary Art in Atlanta Collections," The High Museum of Art, Atlanta, Georgia
"Drawings," Gallery of July and August, Woodstock, New York
"Group Show," Henri Gallery, Washington, D.C.
1975 "Contemporary Art," Halper Gallery, Palm Beach, Florida
"Group Show," Daniel Frishman Gallery, Osterville, Massachusetts
"Group Show," Henri Gallery, Washington, D.C.
"Group Show," Webb and Parsons Gallery, Bedford Village, New York
1974 "Group Show," Gallery 118, Minneapolis, Minnesota "Group Show," Henri Gallery, Washington, DC.
"Group Show," Indiana State University, Indiana
"Group Show," Rochester, Minnesota
"Summer Group Show," Fischbach Gallery, New York
1973 "Six Painters of the Seventies," University of North Carolina
"Works on Paper," The Aldrich Museum of Contemporary Art,
Ridgefield, Connecticut
"Small Works," Bard College, Annandale-on-Hudson, New York
"Painting in America," “Art in America” sponsored, Decorative Arts,
New York
"Invitational," American Academy of Arts and Letters, New York
1972 "Acquisitions Exhibition," Worcester Art Museum, Massachusetts
"Four New York Artists," Parker 470 Gallery, Boston
"Group Show," Corcoran Gallery of Art, Washington, D.C.
"Group Show," Penthouse Gallery, The Museum of Modern Art, New York
"Painting and Sculpture Today," Indianapolis Museum of Art, Indiana
"Paintings on Paper," The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
"Viewpoints Six," Colgate University, Hamilton, New York
"Whitney Annual," Whitney Museum of American Art, New York
1971 "Americans," Glauber-Poons Gallery, Paris, France
"Beautiful Painting," Columbus Gallery of Fine Arts, Ohio
"Lyrical Abstraction," The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
"Lyrical Abstraction," Whitney Museum of American Art, New York
PUBLIC COLLECTIONS
Albany State Museum, Albany, New York
The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
The Butler Institute of American Art, Youngstown, Ohio
The Metropolitan Museum of Art, New York
Miami Dade Junior College, Miami, Florida
Owens Corning College, Toledo, Ohio
University of North Carolina, Chapel Hill, North Carolina
Wadsworth Atheneum, Hartford, Connecticut
Whitney Museum of American Art, New York
Worcester Art Museum, Massachusetts
PRIVATE COLLECTIONS
Amerada Hess, New York
American Institute of Architects, Washington, D.C.
Davis, Polk and Wardwell, New York
Jersey City Medical Center, New Jersey
Philip Morris, Inc., New York
Singer Sewing Machine Company Simpson, Thatcher & Bartlett, New York
TEACHING EXPERIENCE
1966-1995 Professor of Art, Bard College, Annandale-on-Hudson, New York
1996-present Professor Emeritus, Bard College, Annandale-on-Hudson, New York
FELLOWSHIPS/GRANTS
1982 1973 1972 1961-62
National Endowment for the Arts - Painting
American Academy of Arts and Letters Award in Painting
Guggenheim Fellowship in Painting
Fulbright Fellowship in Painting in Paris
SELECTED VISITING ARTIST LECTURES
Albany Institute of History and Art, New York
Bard College Graduate School of Fine Arts, Annandale-on-Hudson, New York
California Institute of Fine Arts, Valencia, California
Columbia University, Graduate Arts Department, New York
Empire State College, New York, New York
Glassell School of Fine Arts, Museum of Fine Arts, Houston, Texas
Miami University, Ohio Middlebury College, Middlebury, Vermont
New York University, New York
Rhode Island School of Design, Providence
School of Visual Arts, New York
Syracuse University, Syracuse New York
Union College, Cranford, New Jersey
University of Arizona, Tempe
University of Texas at Austin
University of Texas at San Antonio
Wake Forest University, Winston-Salem, North Carolina
According to John Antone, art must be in touch with our dreams. As he sees it, man’s most profound experiences in life are those which, like dreams, we understand with our hearts and minds: experiences such as love, the death of a beloved, or the birth of a child. Although not precisely religious, art becomes an outlet and release for emotion and intelligence, and touches on the importance of being human.
John Antone has studied with some of America’s most outstanding artists and art institutions. He did his undergraduate work at Virginia Commonwealth University in Richmond, Virginia, and at the Rhode Island School of Design’s National Honors Program in Rome, Italy. In 1975, Antone had the opportunity to study at California Institute of the Arts in Valencia, California, working with John Baldessari, the world renowned, conceptual artist.
John completed his MA in Sculpture at the University of Wisconsin in 1977, studying under Deborah Butterfield, and achieved his MFA from that school in 1978. This year, Antone received a Virginia Museum Foundation Professional Fellowship in sculpture, one of the most significant artistic awards given nationally.
Lee Brauer
(www.leebrauer.com)
Lee Brauer specializes in photography of people and their spaces for the Advertising, Architectural and Corporate communities. With twenty years experience Mr. Brauer creates images that grab your attention. While establishing himself in the world of commercial photography Mr. Brauer has continued to create the more personal images such as those he has on display in our group show.
In addition, Mr. Brauer is a founding member of the Central Virginia ASMP and is an
active leader in the photographic community.
AL CALDERARO
(www.alcalderaro.com)
TOM CHENOWETH
(www.astradesign.com)
Tom’s work is formal and structural. Energy and balance are primary concerns. Every piece is a conversation of material and stems from the physical experience of manipulating metal, achieving and organic grace and intuitive expressiveness while maintaining the integrity of the man-made structural materials. Tom’s work began over 30 years ago, earning a BFA and MFA in Sculpture. In the beginning, Tom’s work was about learning all the things he could do with the material and acquiring the technical expertise necessary to give form to his ideas. Later Tom began borrowing design elements from his large scale sculpture, creating practical objects for creative environments. Tom has work in many private and public collections and accepts custom requests.
Tom earned his BFA in sculpture from the Maryland Institute, College of Art and his MFA in sculpture from VCU. He was one of the original founders of 1708 Gallery in Richmond. Together with his wife Louise Ellis, a fellow artist, own Astra Design, a small retail gallery in Richmond. For more info, please visit:
AL DAVIS
Mr. Davis is Vice President of Creative Services at CRT/tanaka, a national company with tremendous experience in numerous categories and well-developed capabilities in marketing, branding, PR and social media.
While attending VCU school of design Mr. Davis was exposed, so to speak, to photography. Although he pursued a career as a designer he never stopped capturing images. The play of light and shadow could be considered a definition of creation. Focusing creative energies through a camera lens just seems natural.
MYRON HELFGOTT
Myron Helfgott received his BA and MFA degrees from Southern Illinois University and studied with R. Buckminster Fuller from 1957-59 and in 1962. From 1968 until 2003, he was a professor in the department of sculpture and extended media at Virginia Commonwealth University and served as acting chair from 2001 to 2003. He has had numerous one-man exhibitions throughout the United States and has participated in over 50 group shows.
He has exhibited at the Whitney Museum in New York City, the Philadelphia Arts Alliance, Usdan Gallery in Bennington, VT and Peninsula Arts Center in Norfolk, VA and the prestigious “un/Common Ground” show at the Virginian Museum of Fine Art, as well as Tokyo, Lima, and Glasgow. He received the Virginia Commission for the Arts Distinguished Artist award. His sculptures incorporate audio, kinetics, photography, assemblage, etc.
His work is in both public and private collections, including the Chrysler Museum of Art, the Corcoran Museum of Art, the Federal Reserve Bank of Richmond, Best Products Foundation, and the Virginia Museum of Fine Arts. Among his many residencies are the Cité Internationale des Arts in Paris from 2003 to 2007.
MARTIN JOHNSON
(www.martinbjohnson.com)
Martin Johnson was born in Elmer, New Jersey, in 1951, and moved with his family to Richmond at age five. He earned a degree in Architecture from Virginia Polytechnic Institute and State University (1974), and an MFA in Studio Art from the University of North Carolina, Chapel Hill (1977). Upon graduating from UNC, Johnson moved to New York City where he was granted one of the first studios at PS1, the landmark institute of contemporary art that is now a permanent exhibition site for MoMA. Johnson’s early career garnered critical attention, including support from curator Marcia Tucker and gallery owner Phyllis Kind. He was represented by Phyllis Kind Gallery in Chicago and New York from 1979 to 1987, during which time his work entered numerous private collections, including those of famed contemporary collectors Donald and Mera Rubell and Herbert and Dorothy Vogel.
In 1987, Johnson abandoned his thriving art career in New York and moved his young family back to Virginia. Since then, Johnson has continued to work prolifically in his studio while maintaining a full-time career as President of Virginia Marketing Associates, a successful sales agency based in Richmond.
Recently, as part of Dorothy and Herbert Vogel’s “Fifty Works for Fifty States” gift to museums and art institutions across America, Johnson’s work entered the collections of 35 museums throughout the United States, including the Virginia Museum of Fine Art and the National Gallery of Art. Johnson is currently working with curator Ray Kass on an exhibition for the Taubman Museum of Art, scheduled for 2014.
SELECTED SOLO EXHIBITIONS
1994 Forty-Four Four by Fours, Art Museum of Western Virginia, Roanoke, Virginia
1993 Site installation, Virginia Beach Center for the Arts, Virginia Beach, Virginia Faces For(bodypolitic), Glass Gallery, University of North Carolina, Chapel
Hill, North Carolina
1992 HESHEUNISALLFORONE (44 4x4’s 30 PART), Southeastern Center for Contemporary Art, Winston-Salem, North Carolina
1990 Glimpsastone, Peninsula Fine Arts Center, Newport News, Virginia
1988 Site installation, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina.
Enigmatic Constructions – (Retro) Active Art Work(s), Portsmouth Museums, Portsmouth, Virginia
1987, 1985, 1984, 1983, 1981, 1980, 1979 One-artist exhibition, Phyllis Kind Gallery, New York, New York
1981 Site installation, Florence Wilcox Gallery, Swarthmore College, Swarthmore, Pennsylvania
1978 Site installation, Appalachian Center for Contemporary Art, Charleston, West Virginia
SELECTED GROUP EXHIBITIONS
2011 Textural Structures: Selected works from the South Dakota Art Museum, South Dakota Art, Museum, Brookings, South Dakota (Catalogue)
2010 An Economy of Means: The Dorothy and Herbert Vogel Collection, The University of Michigan Museum of Art, Michigan, Ann Arbor, Michigan
Living for Art: The Dorothy and Herbert Vogel Collection Montclair Art Museum
2009 The Dorothy and Herbert Vogel Collection, Oklahoma City Museum of Art
1995 New Works Fellowships: Northern Telecom, Arlington Museum of Art, Arlington, Texas;
Cheekwood Museum of Art, Nashville, Tennessee; Nexus Contemporary Art Center, Atlanta, Georgia
1994 New Works Fellowships: Northern Telecom, City Gallery of Contemporary Art, Raleigh, North Carolina (Catalogue)
1990 Un/Common Ground: Virginia Artists 1990, Virginia Museum of Fine Arts, Richmond, Virginia (Catalogue)
The Portrait in America, The Chrysler Museum, Norfolk, Virginia
1989 Sculpture Now: 10 Virginians, Danville Museum of Fine Arts and History, Danville, Virginia
1988 Household Media, Virginia Beach Arts Center, Virginia Beach, Virginia
Site installation. Newhouse Center for Contemporary Art at Snug Harbor, Staten Island, New York
From the Collection of Dorothy and Herbert Vogel, Arnot Art Museum, Elmira, New York
Artists Sketchbooks, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina
1987 Four Sharp Artists, Chrysler Museum of Art, Norfolk, Virginia
Animals, Peninsula Fine Arts Center, Newport News, Virginia
1986 Drawings from the Collection of Herb and Dorothy Vogel, University of Arkansas Fine Arts Center Gallery, Little Rock;
Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa; Palmer Museum of Art, Pennsylvania State University, University Park (Catalogue)
1985 Insider/ Outsider, Virginia Beach Arts Center, Virginia Beach, Virginia
Erotic Art. S.P.L.A.T. Alternative Art Gallery, Norfolk, Virginia
Martin Johnson: Installation, Old Dominion University Gallery, Norfolk, Virginia
1984 Visiting Artists 1977 – 1984, Wake Forest University, Winston-Salem, North Carolina (Catalogue)
Dozen/ Half Dozen. Phyllis Kind Gallery, New York, New York
Michele Feder-Nadoff, Martin Johnson, Ireen Kubota, Phyllis Kind Gallery, Chicago, Illinois
1983 Dialect = Dialectic II, Phyllis Kind Gallery, New York
1982 P.S. . .P.S. 1, 1708 East Main Gallery, Richmond, Virginia (Catalogue)
New New York. University Fine Arts Galleries, Florida State University, Tallahassee, Florida; Coral Gables Museum, Coral Gables, Florida;
Phoenix Art Museum, Phoenix, Arizona (Catalogue)
Twentieth Anniversary of the Vogel Collection, Brainerd Art Gallery, State University at Potsdam, Potsdam, New York;
University of Northern Iowa Gallery, Cedar Falls, Iowa (Catalogue)
1981 Ikon/ Logos: Word as Image, The Alternative Museum, New York (Catalogue)
Former North Carolina Artists, Charlotte and Philip Hanes Gallery, Wake Forest University, Winston-Salem, North Carolina
1980, 1983 P. S. 1 - Queens, New York
1979 - 1980 Painters from New York Galleries, James Madison University,
Harrisonburg, Virginia; Virginia Polytechnic Institute and State
University, Blacksburg, Virginia; Roanoke College, Salem, Virginia
1979 Annual Drawing Exhibition, Weatherspoon Art Gallery, University of
North Carolina, Greensboro
The Intimate Gesture, Visual Arts Gallery, School of the Visual Arts, New York, New York
One Hundred Artists Show, Ten Windows on Eighth Avenue, New York
1977 The Magnetic Image: Invitational Video Showing, High Museum of Art, Atlanta, Georgia
1976 Exhibition 280, Huntington Galleries, Huntington, West Virginia
SELECTED BIBLIOGRAPHY
Boyd, Julia W. “Martin Johnson.” Un/Common Ground: Virginia Artists 1990. Richmond: Virginia Museum of Fine Arts, 1990, 52-61.
Barnet, Vivian. Introduction to Drawings From the Collection of Dorothy and Herb Vogel. Little Rock: University of Arkansas Gallery, 1986, 62.
Browing, Robert. Ikon/ Logos: The Word as Image. New York: The Alternative Museum, 1981, 43.
Kass, Ray. “Martin Johnson’s ‘ForInstance’.” Folk Art Messenger, Vol. 22, no.3
(Spring/ Summer 2011): 23-25.
Kuspit, Donald. “Martin Johnson’s Manic American Dream.” New Work Fellowships:
Northern Telecom. Raleigh: The City Gallery of Contemporary Art, 1994, 1-10.
“Martin Johnson.” Art Forum, Vol. 23, no. 9 (May 1985): 108
“Reviews of Exhibitions/ Martin Johnson at Phyllis Kind.” Art in America, Vol. 71, no. 8 (September 1983): 117.
McGreevy, Linda. “Art: Insider/ Outsider.” Port Folio, Vol. 3, no. 2 (May 14 – 20, 1985): 35
Robinson, John. “Reviews/ Group Shows at Phyllis Kind.” Arts, Vol. 59, no. 1 (September 1984): 33.
Schwartzman, Alex. “Martin Johnson.” Arts, Vol. 54, no. 5 (January 1980): 6.
Ward, Alex. “Recycled Space for Artists.” National Endowment for the Arts, The Cultural Post, issue 24 (August 1979): 1-3.
GRANTS AND AWARDS
1993 Northern Telecom Fellowship, City Gallery of Contemporary Art, Raleigh, North Carolina
1975 MFA Fellowship, UNC Chapel Hill, Chapel Hill, North Carolina
PUBLIC COLLECTIONS
Academy Art Museum, Easton, Maryland
Akron Art Museum, Akron, Ohio
The Arkansas Arts Center, Little Rock, Arkansas
Birmingham Museum of Art, Birmingham, Alabama
Boise Art Museum, Boise, Idaho
Cedar Rapids Museum of Art, Cedar Rapids, Iowa
Chrysler Museum, Norfolk, Virginia
Colorado Springs Fine Arts Center, Colorado Springs, Colorado
Columbia Museum of Art, Columbia, South Carolina
Delaware Art Museum, Wilmington, Delaware
Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
Huntington Museum of Art, Huntington, West Virginia
Joslyn Art Museum, Omaha, Nebraska
Las Vegas Art Museum, Las Vegas, Nevada
Miami Art Museum, Miami, Florida
Milwaukee Art Museum, Milwaukee, Wisconsin
Memphis Brooks Museum of Art, Memphis, Tennessee
Mississippi Museum of Art, Jackson, Mississippi
Montclair Art Museum, Montclair, New Jersey
Museum of Art, Rhode Island School of Design, Providence, Rhode Island
National Gallery of Art, Washington, DC
Nora Eccles Harrison Museum of Art, Utah State University, Logan, Utah
Oklahoma City Museum of Art, Oklahoma City, Oklahoma
Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania
Phoenix Art Museum, Phoenix, Arizona
Portland Museum of Art, Portland, Maine
Saint Louis Art Museum, St. Louis, Missouri
Spencer Museum of Art, University of Kansas, Lawrence, Kansas
The Speed Art Museum, Louisville, Kentucky
South Dakota Art Museum, South Dakota State University, Brookings, South Dakota
The University of Michigan Museum of Art, Ann Arbor, Michigan
University Museum, Southern Illinois University, Carbondale, Illinois
University of Wyoming Art Museum, Laramie, Wyoming
Virginia Museum of Fine Arts, Richmond, Virginia
Weisman Art Museum, University of Minnesota, Minneapolis, Minnesota
Yale University Art Gallery, New Haven, Connecticut
Yellowstone Art Museum, Billings, Montana
Richard Pettibone
(www.castelligallery.com)
We are showing Richard Pettibone’s “Andy Warhol, Cambells Soup, Minestrone, 1962”. Richard’s work is currently on display at the Leo Castelli Gallery in New York.
In the December 10, 2004 issue of the New York Times Ken Johnson wrote: “Richard Pettibone has forged a singularly interesting career by copying in miniature what other, more famous artists have done. Copying other people's art may not in itself be highly original, but Mr. Pettibone has done it with such finely tuned wit and tenderly fastidious craft that his work comes to seem extraordinarily personal.”
In the July 15, 2005 issue of the New York Times Roberta Smith wrote: “For more than 40 years, the artist Richard Pettibone has thought small in at least two ways. He has relentlessly produced exquisitely accurate pocketsize copies of modernist masterworks by artists from Duchamp and Brancusi to Lichtenstein and Warhol. In addition, he has seemed completely unperturbed by this apparent lack of originality. What has it gotten him? Certainly not the attention he deserves.
But redemption may be nigh. Mr. Pettibone's first full-dress retrospective is at the Institute of Contemporary Art here. Organized by Ian Berry, associate director of the Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, N.Y., and Michael Duncan, a critic and independent curator from Los Angeles, the exhibition is undeniably ambitious: 215 works spanning more than four decades of art-making.
The walls are dotted (literally) with tiny versions of Warhol's soup cans, Marilyns, cows and flowers, the latter sometimes multiplied into miniature wallpaper like patches.”
In Ms. Smith’s words; “Mr. Pettibone is a connoisseur and careful explorer of the chief wellspring of art-making: the simple love of art. His work makes transparent the complex mixture of discernment, admiration and competition that spurs artists to make something they can call their own.”
JIM SULLIVAN
(jimsullivanartist.com)
Born in Providence, Rhode Island, 1939
EDUCATION
1962-63 Graduate work, Stanford University, California
1961 Bachelor of Fine Arts, Rhode Island School of Design
1960-61 European Honors Program in Rome
SOLO EXHIBITIONS
2011 Nancy Hoffman Gallery, New York
2004-05 Project Space, Nancy Hoffman Gallery, New York
1990 Anne Jaffe Gallery, Bay Harbor Islands, Florida
1988 Nancy Hoffman Gallery, New York 1986 Nancy Hoffman Gallery, New York
1984 Dart Gallery, Chicago Nancy Hoffman Gallery, New York
1983 Gallerie Wolfgang Werner, Bremen, Germany
1982 Folker Skulima Gallery, Berlin, Germany
Nancy Hoffman Gallery, New York
1981 Thomas Segal Gallery, Boston
1980 Nancy Hoffman Gallery, New York
1979 Suzanne Mathews Gallery, San Antonio, Texas
Willard Gallery, New York
1974 Fischbach Gallery, New York
Henri Gallery, Washington, D.C.
1973 Webb and Parsons Gallery, Bedford Village, New York
Paley & Lowe Gallery, New York
1971 Paley & Lowe Gallery, New York
GROUP EXHIBITIONS
2006 “Circles,” Nancy Hoffman Gallery, New York
“Other Places,” Jonathan Shorr Gallery, New York
2005 “Large Tiny, Tiny Large,” Carrie Secrist Gallery, Chicago
2004 “Summertime,” Nancy Hoffman Gallery, New York
1996 "The Art of Baseball," Polk Museum of Art, Lakeland, California
1995 “Drawings and Maquettes,” Nardin Gallery, Somers, New York
1994 “Drop Dead Painting,” Igor Foundation, New York
1993 "20 Years," Nancy Hoffman Gallery, New York
1992 "The Depicted Unknown," Procter Art Center, Bard College, Annandale-
on-Hudson, New York
"A Visit to the Doctor," Foster Goldstrum Gallery, New York, New York
1991 "Black and White," Nancy Hoffman Gallery, New York
1990-91 "Winter Gold," Nancy Hoffman Gallery, New York
1990 "Art on Paper," Weatherspoon Art Gallery, University of North Carolina at Greensboro
1989-90 "Collector's Exhibition," Arkansas Arts Center, Little Rock
"Social Studies," Lintas Worldwide, New York, New York
1989 "Animal Life," One Penn Plaza, New York
"Summer Pleasures: Water," Nancy Hoffman Gallery, New York
"25th Anniversary Gala Exhibition," Ann Jaffee Gallery, Bay Harbor Islands, Florida
1988 "Classical Myth and Imagery in Contemporary Art," The Queens
Museum, Flushing, New York
"Contemporary American Drawings," Wake Forest University, Winston-
Salem, North Carolina
Cunningham Dance Foundation, Blum Helman Gallery, New York
"East Side-West Side," Helander Gallery, Palm Beach, Florida
"An Evening of Contemporary Art at the Bayly," Bayly Art Museum, University of Virginia, Charlottesville
"Faculty Exhibition," Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, New York
"Interiors," Bard College, Annandale-on-Hudson, New York
"Summer Group Show," Nancy Hoffman Gallery, New York
1987-90 "Diamonds Are Forever," New York State Museum, Albany, New York.
Traveling to Baltimore Museum of Art, Maryland; Chicago Public Library and Cultural Center, Illinois; Contemporary Arts Center, Cincinnati;
Museum of Art and History, San Juan, Puerto Rico; Museum of Fine Arts, Houston, Texas; New York Public Library; New York,
Norton Gallery, West Palm Beach, Florida; Oakland Museum, California; Utah Museum of Fine Arts, Salt Lake City.
1987 "Collector's Choice," Center for the Arts, Vero Beach, Florida
"The Dog Days of August," Littlejohn Smith Gallery, New York
"RISD in New York," Diane Brown Gallery, New York
1986-87 "Collector's Choice," Center for the Arts, Vero Beach, Florida "Works on Paper," Nancy Hoffman Gallery, New York
1986 "It's a Dog's Life," St. Paul Companies, Minnesota "Summer Group Show," Nancy Hoffman Gallery, New York
“Vessels of Meaning,” Schoharie County Arts Council Gallery, New York
1985-86 "Winter Solstice," Nancy Hoffman Gallery, New York
1985 Anderson Fine Arts Center, Anderson, Indiana
"Beyond Antiquity: Classical References in Contemporary Art," DeCordova Museum, Lincoln, Massachusetts
"Cunningham Benefit Art Sale," Castelli Gallery, New York
"Major New Works," Nancy Hoffman Gallery, New York
"The Male Animal," Downtown Gallery, Delaware Art Museum, Wilmington
"Nocturnal Images," Paine Art Center, Oshkosh, Wisconsin
"Past and Present Part II," Nancy Hoffman Gallery, New York
"Putti for Our Time," King Street Gallery, New York
"Representations from the Nancy Hoffman Gallery," Calkins Gallery, Hofstra University, Hempsted, New York
"Summer Pleasures," Nancy Hoffman Gallery, New York
1984 "Collectors Gallery XVIII," McNay Art Museum, San Antonio, Texas
"Contemporary Still-Life Painting," Florida International University, Miami
"Faculty Art Exhibit," Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, New York "
A Feast for the Eyes," The Museum of Modern Art, New York
"Flowers in Art," Moravian College, Bethlehem, Pennsylvania
"Jim Sullivan/Joe Nicastri," Galerie 99, Miami, Florida
"Rockefeller Retrospective," Wake Forest University, Winston-Salem, North Carolina
"Summer Group Show," Nancy Hoffman Gallery, New York
1983-84 "American Still-Life 1945-83," Contemporary Arts Museum, Houston, Texas.
Traveling to: Albright-Knox Art Gallery, Buffalo, New York;
Columbus Museum of Art, Ohio; Neuberger Museum, Purchase, New York; Portland Art Museum, Oregon
1983 "Art on Paper," Weatherspoon Art Gallery, University of North Carolina, Greensboro
"Artists Baseball Celebration," Smith Artworks, Cooperstown, New York
"New York, New Art,” Delaware Art Museum, Wilmington
"Dogs," Museum of Contemporary Art, Chicago
“Intoxication," Monique Knowlton Gallery, New York
Muhlenberg College, Allentown, Pennsylvania "New York Painting Today,"
Three Rivers Arts Festival, Pittsburgh, Pennsylvania
"Summer Group Show," Nancy Hoffman Gallery, New York
"Tulips," Impressions Gallery, Boston
1982-83 "Figures of Mystery," The Queens Museum, Flushing, New York
1982 "Drawing/New Directions," Summit Art Center, New Jersey
"Major New Works: Tenth Anniversary Show," Nancy Hoffman Gallery, New York
"Narrative Settings," Joseph Gallery, New York
"New Images and Pattern and Decoration," Neuman Collection, Kalamazoo, Michigan
"Works on Paper," Nancy Hoffman Gallery, New York
1981-82 "Group Show," for recipients of Fulbright Scholarships, International Institute of Education, New York
1981 "Animals in the Arsenal," Department of Cultural Affairs, New York
"Group Show," McNay Art Institute, San Antonio, Texas
"Group Show," Miami University, Oxford, Ohio
"Group Show," Thorpe Intermedia Gallery, Sparkill, New York
"Group Show," Wake Forest University, Winston-Salem, North Carolina
"Major New Works," Nancy Hoffman Gallery, New York
"New York Gallery Showcase," Oklahoma Art Center, Oklahoma City
1980 "Group Show," Webb & Parsons, New Canaan, Connecticut
1979 "Faculty Show," Bard College, Annandale-on-Hudson, New York
"Two-Man Show," Carol Solway Gallery (with David Hockney), Cincinnati, Ohio
"View from the Valley," Hartwick College, Oneonta, New York
1978 "Faculty Exhibition," Bard College, Annandale-on-Hudson, New York
"Gallery Artists," Henri Gallery, Washington, D.C.
1977 "Group Show," Penn State University, Pennsylvania
1977 "Group Show," Carl Solway Gallery, Cincinnati, Ohio
"Recent Works on Paper," Madison Art Center, Wisconsin 1976
"Contemporary American Art," Worcester Art Museum, Massachusetts
"Contemporary Art in Atlanta Collections," The High Museum of Art, Atlanta, Georgia
"Drawings," Gallery of July and August, Woodstock, New York
"Group Show," Henri Gallery, Washington, D.C.
1975 "Contemporary Art," Halper Gallery, Palm Beach, Florida
"Group Show," Daniel Frishman Gallery, Osterville, Massachusetts
"Group Show," Henri Gallery, Washington, D.C.
"Group Show," Webb and Parsons Gallery, Bedford Village, New York
1974 "Group Show," Gallery 118, Minneapolis, Minnesota "Group Show," Henri Gallery, Washington, DC.
"Group Show," Indiana State University, Indiana
"Group Show," Rochester, Minnesota
"Summer Group Show," Fischbach Gallery, New York
1973 "Six Painters of the Seventies," University of North Carolina
"Works on Paper," The Aldrich Museum of Contemporary Art,
Ridgefield, Connecticut
"Small Works," Bard College, Annandale-on-Hudson, New York
"Painting in America," “Art in America” sponsored, Decorative Arts,
New York
"Invitational," American Academy of Arts and Letters, New York
1972 "Acquisitions Exhibition," Worcester Art Museum, Massachusetts
"Four New York Artists," Parker 470 Gallery, Boston
"Group Show," Corcoran Gallery of Art, Washington, D.C.
"Group Show," Penthouse Gallery, The Museum of Modern Art, New York
"Painting and Sculpture Today," Indianapolis Museum of Art, Indiana
"Paintings on Paper," The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
"Viewpoints Six," Colgate University, Hamilton, New York
"Whitney Annual," Whitney Museum of American Art, New York
1971 "Americans," Glauber-Poons Gallery, Paris, France
"Beautiful Painting," Columbus Gallery of Fine Arts, Ohio
"Lyrical Abstraction," The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
"Lyrical Abstraction," Whitney Museum of American Art, New York
PUBLIC COLLECTIONS
Albany State Museum, Albany, New York
The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
The Butler Institute of American Art, Youngstown, Ohio
The Metropolitan Museum of Art, New York
Miami Dade Junior College, Miami, Florida
Owens Corning College, Toledo, Ohio
University of North Carolina, Chapel Hill, North Carolina
Wadsworth Atheneum, Hartford, Connecticut
Whitney Museum of American Art, New York
Worcester Art Museum, Massachusetts
PRIVATE COLLECTIONS
Amerada Hess, New York
American Institute of Architects, Washington, D.C.
Davis, Polk and Wardwell, New York
Jersey City Medical Center, New Jersey
Philip Morris, Inc., New York
Singer Sewing Machine Company Simpson, Thatcher & Bartlett, New York
TEACHING EXPERIENCE
1966-1995 Professor of Art, Bard College, Annandale-on-Hudson, New York
1996-present Professor Emeritus, Bard College, Annandale-on-Hudson, New York
FELLOWSHIPS/GRANTS
1982 1973 1972 1961-62
National Endowment for the Arts - Painting
American Academy of Arts and Letters Award in Painting
Guggenheim Fellowship in Painting
Fulbright Fellowship in Painting in Paris
SELECTED VISITING ARTIST LECTURES
Albany Institute of History and Art, New York
Bard College Graduate School of Fine Arts, Annandale-on-Hudson, New York
California Institute of Fine Arts, Valencia, California
Columbia University, Graduate Arts Department, New York
Empire State College, New York, New York
Glassell School of Fine Arts, Museum of Fine Arts, Houston, Texas
Miami University, Ohio Middlebury College, Middlebury, Vermont
New York University, New York
Rhode Island School of Design, Providence
School of Visual Arts, New York
Syracuse University, Syracuse New York
Union College, Cranford, New Jersey
University of Arizona, Tempe
University of Texas at Austin
University of Texas at San Antonio
Wake Forest University, Winston-Salem, North Carolina
